Master Armourer · Sussex, England · Est. 1998

Forged for
Eternity

Individually handcrafted plate armour, helms & arms made to museum standard.
Each piece leaves our workshop one at a time — never a production line.

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Pieces Crafted
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The Process

How Each Piece Is Born

Every commission follows the same unhurried path — one that has not changed in centuries.

I · Design

Research & Drawing

We begin with historical sources — manuscript illuminations, extant pieces, and original measurements — producing precise technical drawings before a single hammer falls.

II · Forge

Hand Forging

High-carbon steel is heated, shaped over the stake, and worked cold with planishing hammers to achieve the curved geometry that gives plate its extraordinary strength.

III · Finish

Polish & Leatherwork

Polishing through successive grits to bright or antiqued finish; lining with period-appropriate leather; and final hardening create a piece ready for a lifetime of use.


In Their Words

What Our Clients Say

★★★★★

The finest reproduction harness I have ever handled. The craftsmanship is indistinguishable from the originals in the Royal Armouries collection.

Lord Edward Harrington-Smythe
Private Collector, Wiltshire
★★★★★

We commissioned three pieces for our permanent exhibition. Margaret's attention to historical accuracy is unparalleled, and the pieces draw comment from every visiting scholar.

Dr Sarah Whitmore
Curator, Mediaeval Arms Museum
★★★★★

I have competed across Europe in Margaret's Agincourt harness for four seasons. It moves beautifully and has taken every blow without complaint. A masterwork.

Thomas Ashford
Tournament Knight, IMCF Champion

Bespoke Commissions

Begin Your Own Legacy

Every great armoury started with a single conversation. Tell us what you envision.

Handcrafted in Sussex since 1998

The Collection

Plate armour, helms, maille, shields & bespoke commissions

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Prices inclusive of all workshop labour. VAT applied at checkout.

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Free insured delivery worldwide on all orders
Handmade to order — allow 6–10 weeks for standard pieces
Custom sizing and finishing available on enquiry
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Estimated Completion & Dispatch

All pieces are individually handmade to order. Margaret will be in touch within 48 hours to confirm the commission and discuss any details.

Est. 1998 · East Sussex

Our Story

Twenty-seven years of fire, steel, and uncompromising craft

✦ ⚔ ✦

In the summer of 1998, Margaret Blackwood set up her forge in a converted barn on the East Sussex Downs with two hammers, a century-old stake plate, and the singular conviction that the finest armour of the medieval period could be faithfully recreated using the same techniques that first produced it. Twenty-seven years later, that conviction has been borne out by five hundred pieces, forty countries, and a clutch of museum commissions that would have seemed fanciful to the young armourer who lit her first fire that August morning.

Margaret trained first as a silversmith, then spent three years as an apprentice to master armourer Dieter Hofmann in Landshut, Bavaria — the city synonymous with the finest plate of the fifteenth century. She returned to England with a thorough grounding in German and Italian harness traditions, a fluency in historical metallurgy, and the beginnings of an archive that now runs to several thousand technical drawings, each traced from museum pieces, illuminated manuscripts, and original workshop records.

"Every piece of steel remembers the fire that shaped it. That is not poetic language — it is metallurgy. And it is why each harness we make is entirely unrepeatable."
— Margaret Blackwood, Master Armourer

Today, Margaret works with a small team of two apprentices and a fellow journeyman armourer. Pieces take between six and thirty-two weeks depending on their complexity. Every commission begins with a conversation — about period, function, budget, and the story the commissioner wants their armour to tell. Every piece ends with the same promise: that in a hundred years, it will be indistinguishable from the originals that inspired it.

A History in Steel

Milestones

1998
The Workshop Opens
Margaret establishes her forge in a converted barn near Battle, East Sussex. First commission: a bascinet for the Royal Armouries lending programme.
2004
First Museum Commission
Hastings Museum commissions a full recreation of the Agincourt field harness. The piece is still on permanent display and remains one of Margaret's most referenced works.
2010
Royal Armouries Partnership
Named a partner artisan to the Royal Armouries, Leeds. This designation brought access to the collection's study room — invaluable for direct measurement of originals.
2016
International Recognition
A full Gothic harness acquired by the Smithsonian Institution, Washington D.C. Pieces now held in collections across forty countries on six continents.
2023
Apprenticeship Programme
The first formal apprenticeship intake under the new programme — ensuring these skills are carried forward by the next generation of British armourers.
The Armourer

Margaret Blackwood
Master Armourer, FRSA

A Fellow of the Royal Society of Arts and a member of the Worshipful Company of Armourers and Brasiers, Margaret brings both scholarly rigour and physical mastery to her work. She lectures regularly at the Royal Armouries and contributes to academic publications on historical metalwork.

She believes armour should be worn, used, and trusted — not merely displayed. Every piece leaves the workshop with a care guide, a provenance document, and an open invitation to return for any adjustment, forever.

Selected Works

Portfolio

A record of commissions completed — for collectors, museums, and tournament champions

✦ ⚔ ✦

Every piece shown here was made to a specific brief — a period, a person, a purpose. Commissions are accepted by consultation and each is documented with full technical drawings.

The Agincourt Commission images/portfolio-agincourt-commission.jpg
The Agincourt Commission
Plate Armour · Private Collection
Canterbury Cathedral Study Helm images/portfolio-canterbury-helm.jpg
Canterbury Cathedral Study Helm
Helms · Museum Commission
Dragon Lord's Harness images/portfolio-dragon-lord.jpg
Dragon Lord's Harness
Custom · Private Commission
Whitmore Estate Barding images/portfolio-whitmore-barding.jpg
Whitmore Estate Barding
Custom · Private Collection, Wiltshire
Norman Shield Series images/portfolio-norman-shields.jpg
Norman Shield Series
Shields · Living History Trust
Royal Armouries Study Pair images/portfolio-royal-armouries.jpg
Royal Armouries Study Pair
Gauntlets · Museum Commission
The Edinburgh Gothic Harness images/portfolio-edinburgh-harness.jpg
The Edinburgh Gothic Harness
Plate Armour · National Museum Scotland
Viking Expedition Haubergeon images/portfolio-viking-mail.jpg
Viking Expedition Haubergeon
Chainmail · Expedition Commission
Tournament Champion's Sallet images/portfolio-tournament-sallet.jpg
Tournament Champion's Sallet
Helms · IMCF World Champion 2022
Commission a Piece

Your Work Could Be Next

Every item in this portfolio began with a conversation. Yours can too.

Craft & History

The Journal

Notes on metallurgy, history, and the making of armour

The Metallurgy of Medieval Plate images/journal-metallurgy-plate.jpg
Craft

The Metallurgy of Medieval Plate: Carbon, Heat, and Memory

Why the carbon content of your steel matters as much as the shape of your hammer. A deep dive into the materials and heat-treatment techniques that made Gothic plate both beautiful and functionally superior to anything before or since.

14 March 2025 · 8 min read
Fitting a Bespoke Harness images/journal-bespoke-fitting.jpg
Guide

Fitting a Bespoke Harness: What to Expect at Each Stage

From the initial measurements through to the final try-on, the fitting process for a full harness is unlike anything else in craft commissions. Here is exactly how it works, and why each session matters.

2 February 2025 · 5 min read
The Black Prince's Bascinet images/journal-black-prince-study.jpg
Research

The Black Prince's Bascinet: A Technical Study

The funeral helm of Edward of Woodstock at Canterbury Cathedral is one of the most studied pieces of medieval armour in existence — and one of the most misunderstood. A careful examination of what it can and cannot tell us.

18 January 2025 · 12 min read
Get in Touch

Contact & Commissions

Every commission begins with a conversation. We respond to all enquiries within 48 hours.

The Workshop

Margaret works from her forge in East Sussex, with visits available by appointment. For commission enquiries, the form is the best starting point — please include as much detail as you can about the piece you have in mind.

Workshop Address
Forge Farm, Battle Road
East Sussex, TN33 0AH
United Kingdom
Email
commissions@margaretmedieval.co.uk
Telephone
+44 (0)1424 773 290
Workshop Hours
Monday – Friday: 9:00 – 17:00
Saturday: By appointment only

Send an Enquiry

Enquiry Received

Thank you — Margaret will reply personally within 48 hours. In the meantime, you're welcome to browse the .